I’m delighted that I received an Artist Grant from Brighton Pride Cultural Development Fund, to stage Tricyclic Transform as part of the official Brighton Pride Cultural Program! I’m even in the Brighton Pride Brochure (and it will go on the website too soon)! Date & Venue TBD!
‘Tricyclic Transform’ was screened at Leeds Digital Festival, and they interviewed me on their website. I copied the unedited interview questions below.
If you could start telling me a bit about yourself (briefly), so I can get a general impression. (What do you do, where are you from,etc.)
I’m originally from Rouen, France but have lived in the UK since 2005, and Brighton since 2012. I’ve worked in photography, video and digital since 2007 and branched into performance last year. I show work in exhibitions, galleries, film festivals, clubs as well as traditional performance venues.
What is your inspiration for a new project? What inspired you to start with art in general?
As a child, I spent all my time reading, drawing and making paper cut-out characters from my favourite books and staging plays with them. But being from a lower middle class background, I sort of self-selected out of studying art as a teenager and opted for the ‘financially safe’ option of software engineering. I remained passionate about Art though, and slowly grew the guts of making art, first as a self taught artist, until I studied for a MA at Camberwell College of Art in 2009-2011 via part time distance learning, while keeping my commercial software job.
I’m an intuitive and visual thinker, so Art is very much ‘practical philosophy’ for me: I will work on a project to make sense of social, political or philosophical issues that obsess me, where more literary-minded people would write about the subject.
What do you want to express with your artwork?
My work explores the tensions between the individual and the place and circumstances they inhabit, and the human mind in conflict with itself. In visual media, I design an aesthetic representing an individual’s thought processes, using a precisely crafted audio-visual mood and rhythm to trap the audience into their subjective experience. In performance, I mix popular alt-drag cabaret, ‘dark cabaret’ singing and live-art aesthetics to question gender identities, and portray individuals fighting restrictive social norms. I aim to gently coax the viewer into questioning norms and assumptions they may feel more comfortable ignoring, without presenting ready made answers, leaving a degree of ambiguity and interpretation.
What do you think about the transgender conflict in our society?
I believe that each individual’s perception of their gender identity and relationship with their body is unique, that nobody else has any right to pry into it and coerce them, and that nothing progressive ever comes in the long term from attempting to impose artificial simplifications over the endless complexity and fluidity of the human experience. So human beings need to resist pressures to ‘fit into narrow predefined roles’ that wreck their mental health, whether they come from mainstream society or more insidiously from within ‘alternative’ communities. That another individual’s experience differs from yours does not invalidate your own experience in any way, it’s just another one amongst endless natural variations. As Audrey Lorde said: “It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.”
Talking about your artwork “Tricyclic Transform”. Can you give me some more information about your piece? What was the inspiration for it?
I’m interested in social control and repression, both the overt and violent kind, but also the subtle, more insidious cultural or peer pressure that an individual may end up internalizing. Being genderqueer, I experience a degree of detachment and critical distance from both feminine and masculine gender norms, and I leverage it to portray the psychological consequences of rigid, enforced gender roles on individuals, something that both trans* and cis people can relate to. Tricyclic Transform follows the inner journey of a person, who ‘thrust into being’ and presented with gender archetypes from popular culture, mimics them to ‘try them on’, only to discover none quite fit the complexity of their thoughts and experience. Their psychological journey is cyclical, though a gender spectrum of female, androgynous, male, with no fixed resolution.
If you couldn’t be an artist, what would it be?
I don’t make art full-time, I have a commercial software job at the side. It’s important for me to be upfront about it because it’s so difficult to make a living solely from your art, and very few artists actually do, that if you maintain an ‘artistic blur’ about how you pay your bills, possibly for ‘personal branding’ reasons, then you contribute to the vicious circle of aspiring artists who can’t rely on family money or financial support from a partner possibly giving up because they believe they can’t make it work. I know dedicated creative people who do all kinds of commercial work at the side to support themselves and their practice.
Are there any projects planned in the future?
I’m working on a digital video installation simulating the collective creation of a shared queer identity through the assemblage and reinterpretation of fragments of a hidden history. Videos sequences document places associated with queer artists and thinkers, relating the former inhabitants’ experience of space, place and identity to the experience of contemporary queer people who drew inspiration from them. It requires coding as well as video-art, so of direct relevance to a Digital Festival!
ACTS RE-ACTS 5
Wimbledon College of Arts: Performance Laboratory
Friday 2 March, 2 – 9pm
Tricyclic Transform Full cabaret show at 18:40 in the theatre.
Event: Melanie Menard, Tricyclic Transform (70m)
Melanie Menard presents Tricyclic Transform, a solo musical cabaret exploring genderqueer identity with songs and drag. Join Miss Liliane, ‘biologically-challenged drag-queen’, round the gender wheel as they try to negotiate restrictive gender-roles by performing symbolic rituals and re-enacting iconic songs, trying on identities as they try on clothes and pitches.
Tricyclic Transform goes beyond the ‘private confessional’ nature of many queer solo performance, using ‘Lynchian’ cabaret and German Expressionism aesthetics to explore the alienation of enforced gender roles on individuals from a full spectrum of psychological perspectives.
20 songs span several genres (Torch songs, jazz, musicals, gospel, European Cabaret/Chanson, ‘storytelling’ songs by Johnny Cash, Scott Walker), united by a dramatic delivery and focused on archetypes: sacrificial femininity, Lilith (Predatory Femininity), Androgyne, Dionysos (Broken Man). The theatrical presentation mixes popular alt-drag cabaret with live-art aesthetics including on-stage costume change, breast binding and destroying make-up. Judith Butler takes on RuPaul’s Drag Race!
Refreshments available during the cabaret.
‘Tricyclic Transform’ was featured in Grassroot Yet Glossy queer feminist Mag ‘Hysteria’ issue 8. It even gets stocked at the ICA bookshop!
Buy the printed magazine of a digital copy here: http://www.hystericalfeminisms.com/store/
Tricyclic Transform continues its roll of touring with the ‘physical exhibition’ #TheGalleryProject of online project Transnational Queer Underground. The first exhibition was hosted in Tallinn, Estonia, and TQU are looking for host museums/galleries in various countries to host the project. Please contact them if your organisation can help!
TQU made a really swanky pdf catalogue of all the work. Download it for free!
Some pictures of my work in context:
And a local visitor to the show! I love wild birds and wish I could travel to Tallinn if such beautiful creatures dwell there 🙂
Tricyclic Transform photos and video shown at 35 Chapel Walk, Sheffield for their International Women’s day feminist show #SheFest2017
Exhibition 2-15 March 2017.
Film screening, Saturday March 11th, 6-8pm.
SheFest 2017 in collaboration with 35 Chapel Walk presents ‘In Plain Sight’, an exhibition to challenge, persist and celebrate. SheFest is a flagship celebration as part of International Women’s Day, promoting gender equality and developing supportive networks for self-defining women.
It is important to celebrate the empowerment of women and the steps that we are making with progressive feminism. However, it is also essential that we highlight and challenge the problems that women all over the world still face every day as a result of patriarchy and misogyny. ‘In Plain Sight’ brings together a diverse variety of national and international artists to make a stand against restrictive, destructive and anti-progressive societal “norms” and pressures applied by androcentric values and politics.
Virginia Woolf once famously said; “For most of history, Anonymous was a woman”. Well no more. ‘In Plain Sight’ captures the current unrest amongst women today and encourages persistence in the face of ever challenging patriarchal adversities.
Patriarchy: A system of society or government in which men hold the power and women are largely excluded from it.
Misogyny: Dislike of, contempt for, or ingrained prejudice against women.
Androcentric : Something that is focused or centred on men.
391 Ladbroke Grove
London W10 5AA
Thursday 8th December 2016 – Sunday 11th December 2016
Gallery opening times:
10:00 – 17:30 Thursday to Saturday
10:00 – 17:00 Sunday)
#cam4art broadcasts performances live from bedrooms, galleries, schools and anywhere with a webcam and an internet connection.
#cam4art 2016 is an online webcam-based performance art event taking place between Friday 25th to Wednesday 30th November that responds to digital intimacy and internet culture. It is a unique event that grants artists the autonomy to broadcast from bedrooms/schools/galleries and anywhere with a webcam and an internet connection.
During the event, a link on cam4art.com will direct viewers to a live-stream site where artists from across the world will stream their performances live. Subsequently, each performance will be documented and archived on the #cam4art website for viewers to watch after the live-stream has ended.
The Dissenters’ Gallery exhibition presents the output from the event breaking the connection to the internet and allowing individuals and group audiences to view and discuss the work face-to-face.
Tricyclic Transform shown at Visions in the Nunnery exhibition at Nunnery Gallery, Bow Arts, 24-30 November.
It’s not every day you get to share the bill with Marina Abramović (or rather, Marina Abramović deigns to share the bill with you.. 😉 )
Part of Programme 2, running 24-30 November
Opening times: Tuesday – Sunday 10-5pm
Address: The Nunnery, 181 Bow Road, London E3 2SJ
Visions in the Nunnery is a renowned showcase of contemporary moving image and performance work, returning to the Nunnery Gallery, London for a special celebratory tenth edition this October. Selected from over 1500 world-wide submissions, combined with a star-studded list of invited artists and previous exhibitors, the show will present a unique and exciting platform for cutting edge digital and performance art.
Excerpt from Program 2 Press Release:
Visions Programme 2 explores the diverse methods and approaches artists use to address theparadoxes, contradictions and possibilities of image-making and representation in a ‘post-digital world’. Often working with anod to processes and contexts of the recent past, work tackles the politics of identity, place, nostalgia and negotiating alternative world-views.
Melanie Menard, Ope Lori and Stacey Guthrie’s works focus on identity, sexuality, power, difference and the creation of alter-egos. In an attempt to negotiate gender roles, binary structures, inequality and performativity, the films use humour, theatricality and absurdity to draw attention to these moments of creation, destruction and equilibrium.
Tricyclic Tansform video shown at Instants Video, Marseilles (FR) & Milan (IT).
Exhibition Catalogue (my work on page 25)